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calligraphy
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Abstract calligraphic rhythmn.
Watercolour on Canson paper.
Abstract composition. Pen and brush on Arches paper.
Abstract calligraphic rhythmn. Watercolour on Arches paper.
Abstract composition in watercolour.
Abstract calligraphic rhythm. Sepia ink and watercolour on Canson paper.
Abstract composition, pen and chinese brush.
Abstract composition, watercolour on Torchon paper.
Abstract composition. Walnut stain and watercolour on paper.
Abstract calligraphic rhythm. Watercolour on Arches paper.
Alphabet executed with a chinese brush on black Canson paper.
Calligraphy in watercolour of an extract from a poem by Arthur Rimbaud.
Calligraphy using a reed pen on laid paper.
Alphabet for a greetings card. Watercolour on Hahnemühle paper.
Calligraphy for a calendar. Watercolour and reed pen on Torchon paper.
Calligraphy of a text by Pierre Reverdy. Watercolour and wide brush on Arches paper.
Calligraphy of an extract of a poem by Agrippa d’Aubigné, executed using a flat brush.
Calligraphy of an extract of a poem by Fernando Pessoa, executed with a wide-nibbed pen
Calligraphy of an extract of a poem by Victor Hugo. Watercolour and a metal nib on Arches paper.
Calligraphy in Greek, from an aphorism by Epictetus. Sap green on Torchon paper.
Composition in Fraktur Blackletter. Gouache and wide brush on black paper.
An interpretation of a Textura script. Mahogany brown ink with a wide-nibbed pen.
Flemish bastard alphabet, 15th century. Watercolour and wide brush on laid paper.
Extract from a poem by Jean-Antoine de Baïf, executed in a cursive hand, watercolour on Torchon paper.
Example of “cancellaresca” [chancellery script] from a work by B.Cataneo. Old-style ink and turkey feather quill on vellum parchment, 16th century.
Page of writing in the Flemish Bastarda style, around 1520, on very fine vellum parchment. Goose quill pen and old-style ink.
Page from a Book of Hours, circa 1450. Flemish Bastarda script executed with a quill pen. Old-style ink, gold leaf, lapis lazuli, and vermillion on very fine vellum parchment.
Format: 10 x 6.5 cm.
Hebrew alphabet, in the square style, late 15th century. Old-style ink and gold leaf on vellum parchment.
Page from the Haggadah, 15th century. Old-style ink and wide nib.
Page from a 13th century Egyptian Koran. Shell gold, lapis lazuli, and black ink on fine vellum parchment.
Format: 11 x 7 cm.
Calligraphic composition in Thuluth script. Executed with a reed pen and sepia ink. Format: 60 x 50 cm.
Chinese writing in the Xing Shu style. Executed on chinese paper with a wolf-hair brush.
Page executed on vellum parchment in the Habsbourg style, around 1600. Micro-writing in Fraktur with a 0.6 mm x-height, executed without the aid of a magnifying glass. The title is gold leaf.

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News
: : : : : : : : : : : January 12th, 2007
A New Year
…with best wishes
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: : : : : : : : : : : December 8th, 2006
Booksigning at the store “Le Comptoir des Écritures”, Paris
Albin Michel and “Le Comptoir des Écritures” organise a book-signing with Claude Mediavilla
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